Elvis Mitchell of The New York Times, stated that the "visual design is spectacular, and the scenes on the Martian surface look so real that the picture could have been made on location. A holographic sequence detailing the evolutionary link between Earth and Mars is staggeringly well staged."[25] However, he ultimately came to the conclusion that there wasn't "an original moment in the entire movie, and the score is so repetitive that it could have been downloaded directly from EnnioMorricone.com."[25] Similarly, Todd McCarthy wrote in Variety that the film's "dramatic package that it arrives in is so flimsy, unconvincing and poorly wrought that it's impossible to be swept away by the illustrated version of creationism on offer." He did note "Pictorially, the film is smooth and pristine looking. De Palma and his frequent cinematographer Stephen H. Burum go for their patented swooping and twisting camera moves whenever possible, and there are some very nice ones onboard the recovery ship."[26] Lisa Schwarzbaum writing for Entertainment Weekly deduced that "Mission to Mars wants us to think about lofty things: the bravery of explorers, the ingenuity of our nation's space program, the humility required to comprehend the possibility that we earthlings are not the be-all and end-all of creation. But De Palma's film is too embarrassed, too jittery and self-conscious to hush up and pay attention."[27]
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